That may not be unusual these days, but seeing erections, explicit oral sex, emissions, and actual intercourse in a mainstream movie is a rarity. You can't get past mentioning her figure because the viewer gets to see so much of it. The young woman (Stilly) is drawn from the ranks of models and has features that are plainly attractive, on the cusp of really attractive, and her figure is flawless. The Londoner (O'Brian) seems like a nice-enough ordinary guy. Unless, and I hate to suggest this, the significance is unthinkably banal: humans are emotionally frigid and driven by natural forces, like icebergs. The episodes involving the couple are little slices of life with many fades to black, many cuts that seem arbitrary, and some visual and narrative allusions to Antarctica, the significance of which escapes me. The other half sketches in a brief relationship between a Londoner and a visiting American student. About half the movie is shot at a concert. I don't mean that the music is poor, only that I can't tell whether it's any good or not. I have to say that I dozed off a bit during the 9 songs recorded live at a concert because, with one exception, a simple piano solo, it is just not my kind of music anymore.
Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs. They meet at a mobbed rock concert in a vast music hall-London's Brixton Academy. Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa.
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